Torino Film Festival – Cinema Giovani
International Short Film Competition 1998
Programma: Stefano Della Casa
con la collaborazione di: Paolo Manera
É Só Um Minuto (Just One Minute) – Pedro Caldas (Portogallo, 1998, 35mm, 13′)
History of the World in 8 Minutes – Loren-Paul Caplin (Usa, 1998, 16mm, 8′)
Uomo di carta – Massimo Coglitore (Italia, 1998, 35mm, 12′)
Fetch – Lynn-Maree Danzey (Australia, 1998, 35mm, 7’)
A Good Lie – Ronald Eltanal (Usa, 1998, 35mm, 17’)
L’interview – Xavier Giannoli (France, 1997, 35mm, 17′)
Kinniku Influenza (The Influence of Muscle) – Ken Arima, Keiji Ichikawa (Japan, 1997, 16mm, 11′)
Pas de deux – Matthias Lehmann (Germany, 1997, 35mm, 15′)
En desespoir de cause – Vincent Loury (France, 1998, 35mm, 25′)
Fatal Extraction – Colin McKeown (Ireland, 1998, 35mm, 8′)
Kelibia/Mazara – Tarek Ben Abdallah, Gianfranco Pannone (Italia, 1998, 35mm, 12′)
Sell Your Body, Now! – Marco Puccioni (Italia, 1998, 35mm, 10′)
Noc Je, Mi Svijetlimo (Let’s Light Up The Night) – Jasmila Zbanic (Bosnia-Erzegovina, 1998, 16mm, 14′)
Le cercle – Manuel Schapira (France, 1998, 35mm, 10′)
Hotel Belgrad – Andrea Staka (Switzerland, 1998, 35mm, 13′)
Achshav Rachmaninov – And Now Rachmaninov – Daniel Syrkin (Israel, 1998, 16mm, 12′, col.)
Zita – Geschichten Über Todsünden (Zita – A Brief Film About Sloth) – Christian Wagner (Germany, 1998, 35mm, 25′)
Abattages – Joël Warnant (France-Belgium, 1998, 35mm, 19′)
Torino Film Festival
International Short Film Competition 1999
Program: Paolo Manera
En Face – Medhi Ben Attia, Zina Modiano (France, 1999, 35mm, 27’)
Psy-Show – Marina de Van (France, 1999, 35mm, 20’)
Grind – Greg Eliason (Usa, 1998, 35mm, 12’)
Minim – Chris Forster (Uk, 1999, 35mm, 16’)
Rio Vermelho (Red as the River) – Raquel Freire (Portugal, 1999, 35mm, 15’)
Entretanto (Meanwhile) – Miguel Gomes (Portugal, 1999, 35mm, 24’)
Ha-Yoo (A Day) – Park Heung-sik (South Corea, 1999, 35mm, 18’)
Ziarat (Pilgrimage) – Mehdi Jafari (Iran, 1999, 35mm, 29’)
Platonische Liebe (Platonic Love) – Philipp Kadelbach (Germany, 1999, 16mm, 10’)
Blush – Barbara Kulcsar (Switzerland, 1999, 35mm, 10’)
The Offering – Paul Lee (Canada, 1999, 35mm, 10’)
Elimination Dance – Bruce McDonald, Don McKellar, Michael Ondaatje (Canada, 1998, 35mm, 9’)
Anna! – Costanza Quatriglio (Italia, 1998, 35mm, 9’)
Vita Reducta – Tom Schreiber (Germany, 1999, 35mm, 14’)
Desserts – Jeff Stark (Uk, 1998, 35mm, 4’)
De Zone – Ben Van Lieshout (The Netherlands, 35mm, 18’)
Torino Film Festival
Tribute to Idrissa Ouédraogo
curator: Giuseppe Gariazzo, Paolo Manera
Incontro con Idrissa Ouédraogo, proiezioni di:
Poko (Burkina Faso, 1981, 16mm, 18’)
Les Écuelles (Burkina Faso, 1983, 16mm, 11’)
Les Funérailles du Larlé Naaba (Burkina Faso, co-regia Pierre Rouamba, 1984, 16mm, 30’)
Ouagadougou, Ouaga deux roues (Burkina Faso, 1985, 16mm, 18’)
Issa le tisserand (Burkina Faso, 1985, 16mm, 20’)
Tenga (Burkina Faso, 1986, 16mm, 33’)
A Karim na Sala (France/Burkina Faso, 1991, 16/35mm, 90’)
Gorki (France/Burkina Faso, 1993, 16mm/Betacam, 23’)
Afrique mon Afrique (France, 1994, 16/35mm, 53’)
Les parias du cinéma (Switzerland, 1997, 35mm, 5’14’’)
Obi (UK, 1992, 16mm, 52’)
Scénarios du Sahel: Le guerrier (UK, France, 1997, 35mm/Betacam, 7’)
Scénarios du Sahel: La boutique (UK, France, 1997, 35mm/Betacam, 3’)
Scénarios du Sahel: Pour une fois (UK, France, 1997, 35mm/Betacam, 3’)
Pleurs de femmes (Burkina Faso, 1999, Betacam, 3‘)
Kadi jolie (Francia/Burkina Faso, 1999, Betacam, 12’)
Torino Film Festival
International Short Film Competition 2000
Program: Paolo Manera
The Right Hook – Luke Greenfield (Usa, 2000, 35mm, 10′)
English Goodbye – Andy Heathcote (Uk, 1999, 35mm, 12′)
Raconte – Guillaume Malandrin (Belgium, 2000, 35mm, 18′)
L’horizon perdu – Laïla Marrakchi (France-Morocco, 2000, 35mm, 12′)
Chambre froide – Olivier Masset-Depasse (Belgium-France, 2000, 35mm, 27′)
Abe’s Manhood – Aubrey Nealon (Canada, 2000, 35mm, 15′)
Tout est bien – Vincent Pluss (Switzerland, 2000, 35mm, 20′)
In God We Trust – Jason Reitman (Usa, 1999, 35mm, 16′)
Schäfchen Zählen / Counting Sheeps – Sven Taddicken (Germany, 1999, 35mm, 25′)
La Valise – Charlotte Walior (France, 2000, 35mm, 18′)
As Terças da Bailarina Gorda / The Fat Dancer’s Tuesday – Jeanne Waltz (Portugal, 2000, 35mm, 21′)
Crvene Gumene Chizme – Red Rubber Boots – Jasmila Zbanic (Bosnia Erzegovina, 35mm, 2000, 18′)
Clermont Ferrand (FRANCE) – february 2000 / Torino Film Festival – november 2000
Festival du Court Métrage de Clermont Ferrand
European Coordination of Film Festival – “Europe in Shorts 5” Program
Committee: Richard Turco, Piero Clemente, Miguel Dias, Alberto Sanchez, Vanessa Strizzi, Hilke Doering, Kirsi Kinnunen, Antoine Leclerc, Stavros Chassapis, Astrid Kuhl, Karen Nordentoff, Gilbert le Traon, François Ballay, Laurence Deloire, Marc Rigoll, Marie-Josè Carta, Pierre Duculot, Clotilde Nicole, Paolo Manera.
Films:
Inflation – Hans Richter (Germania, 1927/28, 35mm, 3′)
Regen – Joris Ivens, Mannus Franken (Olanda, 1929, 35mm, 12′)
Nogent Eldorado du dimanche – Marcel Carné (France, 1930, 35mm, 16′)
Histoire du soldat inconnu – Henri Storck (Belgium, 1932, 35mm, 10′)
En Kluven Varld – Arne Sucksdorff (Sweden, 1948, 35mm, 8′)
Contadini del mare – Vittorio De Seta (Italia, 1955, 35mm, 10′)
Nice Time – Claude Goretta, Alain Tanner (UK, 1957, 35mm, 17′)
Capriccio – Ole Askman (Denmark, 1967, 35mm, 5′)
Torino Film Festival
International Short Film Competition 2001
Program: Paolo Manera
Le pain – Hiam Abbass (France, 2000, 35mm, 18’)
Palíndromo – Philippe Barcinski (Brasil, 2000, 35mm, 11’)
Einspruch II – Objection II – Rolando Colla (Switzerland, 2000, 35mm, 7’)
Pout’- Fair – David Duponchel (Czech Republic, 2000, 35mm, 5’)
Der braune Faden – Volker Elas (Germany, 2000, 35 mm, 14’)
Blocco 101 – Daniele Gaglianone (Italia, 2001, 35 mm, 11’)
Helicopter – Ari Gold (USA, 2000, 35mm, 21’)
O Inventário de Natal – Miguel Gomes (Portugal, 2000, 35mm, 22’)
Una serata con il dottor Hoffmann – Thorsten Kirchhoff (Italia, 2001, 35mm, 6’)
Muno – Bouli Lanners (Belgium, 2001, 35mm, 21’)
Duel – Philippe Mach (Switzerland, 2000, 35mm, 20’)
Un oiseau dans le plafond – Céline Macherel (France-Switzerland, 2000, 35 mm, 15’)
She’s racing – Kirstin Marcon (New Zeland, 2000, 35mm, 8’)
Bucuresti – Wien 8: 15 – Catalin Mitulescu (Romania, 2000, 35 mm, 13’)
Onnenpeli 2001 – Aleksi Salmenperä (Finland, 2001, 35mm, 30’)
Veta – Teona Strugar Mitevska (Macedonia/Usa, 2000, 35mm, 14’)
Lollipops – Graham Tallman (Canada, 2001, 35 mm, 8’)
Torino Film Festival
International Short Film Competition 2002
Program: Paolo Manera
Gunplay – Stefanie Berk (Usa, 2002, 35mm, 14’)
Premier Aôut – Johann Buchholz (France, 2002, 35mm, 8’)
La visita – Andrea De Rosa (Italia, 2002, 35mm, 18’)
Watermark – Damon Fepulea’I (New Zealand, 2001, 35mm, 12’)
Comme un seul homme – Jean-Louis Gonnet (France, 2001, 35mm, 15’)
Antychryst – Adam Guzin’ski (Poland, 2002, 35mm, 15’)
Ritratto di bambino – Gianluca Iodice (Italia, 2002, 35mm, 13’)
Skin Deep – Yousaf Ali Khan (Uk, 2001, 35mm, 13’)
17 minute înterziere – Catalin Mitulescu (Romania, 2002, 35mm, 10’)
Mulishani Maulishani – Johan Palmgren (Sweden, 2001, 35mm, 35’)
Na idade da imagem ou projecão nas cavernas – Bruno Safadi (Brasil, 2002, 35mm, 20’)
La Mort en exil – Ayten Mutlu Saray (Switzerland, 2001, 35mm, 26’)
Heim – Matthias Schellenberg (Germany, 2002, 35mm, 19’)
Dream Work – Peter Tscherkassky (Austria, 2001, 35mm, 11’)
Torino Film Festival
International Short Film Competition 2003
Program: Paolo Manera
A 78-As Szent Johannája – Kornél Mundruczó (Hungary, 2002, 35mm, 27’)
Babes in Toyland – Ry Russo-Young – Clara Latham (Usa, 2003, 35mm, 10’)
Grand Littoral – Valérie Jouve (France, 2003, 35mm, 20’)
I Have Seen My Mother Dancing in the Clouds – Ila Bêka (Italia, 2003, 35mm, 6’)
Ich und das Universum – Me and the Universe – Hajo Schomerus (Germany, 2003, 35mm, 14’)
Je n’ai jamais tué personne – Eduard Deluc (France, 2002, 35mm, 18’)
Mandala – Jennny Jansdotter (Sweden, 2002, 35mm, 10’)
Mar de diamante – Alfonso Nogueroles (Spain, 2003, 35mm, 8’)
O Nom E O N.I.M. – Inês Oliveira (Portugal, 2003, 35mm, 25’)
Sekmadienis. Evangelija pagal liftininka Albertas / Sunday Sekmadienis – Arunas Matelis (Lithuania, 2003, 35mm, 19’)
Sunttig / Sunday – Barbara Kulcsar (Switzerland, 2003, 35mm, 10’)
Viandes – Bruno Deville (Switzerland, 2003, 35mm, 11)
Waiting – Aditya Assarat (Thailandia, 2002, 35mm, 24’)
Winterspleen – François Farellacci, Laura Lamanda (Italia-France, 2003, 35mm, 18’ )